{"id":1682,"date":"2010-07-14T21:08:46","date_gmt":"2010-07-15T04:08:46","guid":{"rendered":"https:\/\/noisejockey.net\/blog\/?p=1682"},"modified":"2010-07-14T21:08:46","modified_gmt":"2010-07-15T04:08:46","slug":"satans-violin-lesson","status":"publish","type":"post","link":"https:\/\/noisejockey.net\/blog\/2010\/07\/14\/satans-violin-lesson\/","title":{"rendered":"Satan&#8217;s Violin Lesson"},"content":{"rendered":"<div id=\"attachment_1681\" style=\"width: 250px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment-1681\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-1681\" title=\"bowedCable\" src=\"https:\/\/noisejockey.net\/blog\/wp-content\/uploads\/2010\/07\/bowedCable.jpg\" alt=\"\" width=\"240\" height=\"430\" \/><p id=\"caption-attachment-1681\" class=\"wp-caption-text\">Noise Jockey: Taking the &quot;E&quot; out of &quot;e-bow.&quot;<\/p><\/div>\n<p>Almost exactly one year ago, I <a title=\"Read this previous post\" href=\"https:\/\/noisejockey.net\/blog\/2009\/07\/23\/misusing-the-ebow\/\" target=\"_blank\">played a steel cable on a gate with an eBow<\/a><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=atomickindust-20&amp;l=as2&amp;o=1&amp;a=B0002GXBXU\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/>, recorded with <a title=\"Go back in time and read my first post about contact mics\" href=\"https:\/\/noisejockey.net\/blog\/2009\/07\/16\/creeping-crawlies-and-contact-mics\/\" target=\"_blank\">contact microphones<\/a>. I decided to give it a go with a regular bow when I realized that this gate was basically a one-stringed guitar.<\/p>\n<p>Think about it: Wound metal string under tension, wooden resonator. That&#8217;s all a guitar really is. What a wooden gate lacks is thickness, like a guitar, but at more than a meter in width and height, that&#8217;s a broad-enough surface to send air molecules running for cover.<\/p>\n<p>I had to rosin the hell out of the bow to make it tacky enough to grip this oversized &#8220;string.&#8221;\u00c2\u00a0I found that also spreading rosin on the wrapped steel cable was helpful. I tuned the cable, as much as one can, by adjusting a turnbuckle.<\/p>\n<p>I recorded in mid-side stereo. Today&#8217;s sample features is comprised of one mono track totally dry, one mono track run through <a title=\"Check out these amazing free plug-ins!\" href=\"http:\/\/www.michaelnorris.info\/software.html\" target=\"_blank\">Michael Norris&#8217; Spectral Blurring<\/a> effect, one mono track pitch-shifted down by 1.5 octaves, and the one stereo track pitch-shifted down by three octaves. Recording at 192Hz helps for such tomfoolery.<\/p>\n<p>I apologize to my neighbhors for the unholy racket that I&#8217;m sure they thought was a demonic violin 101 class.<\/p>\n<p>[soundcloud url=&#8221;http:\/\/soundcloud.com\/noisejockey\/satans-violin-lesson&#8221; params=&#8221;show_comments=true&amp;auto_play=false&amp;color=dd0000&#8243; width=&#8221;100%&#8221; height=&#8221;81&#8243; ]<span style=\"color: #888888;\">[Sennheiser MKH 50 and MKH 30 recorded as mid-side stereo into Sound Devices 702 recorder]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Almost exactly one year ago, I played a steel cable on a gate with an eBow, recorded with contact microphones. I decided to give it a go with a regular bow when I realized that this gate was basically a one-stringed guitar. Think about it: Wound metal string under tension, wooden resonator. That&#8217;s all a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,63,4],"tags":[9,147,249,10,62,75,22,250,251,321,18,248],"_links":{"self":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts\/1682"}],"collection":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/comments?post=1682"}],"version-history":[{"count":23,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts\/1682\/revisions"}],"predecessor-version":[{"id":1708,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts\/1682\/revisions\/1708"}],"wp:attachment":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/media?parent=1682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/categories?post=1682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/tags?post=1682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}