{"id":2673,"date":"2014-04-02T09:32:48","date_gmt":"2014-04-02T16:32:48","guid":{"rendered":"https:\/\/noisejockey.net\/blog\/?p=2673"},"modified":"2014-04-02T09:34:08","modified_gmt":"2014-04-02T16:34:08","slug":"lite2sound","status":"publish","type":"post","link":"https:\/\/noisejockey.net\/blog\/2014\/04\/02\/lite2sound\/","title":{"rendered":"Lite2Sound"},"content":{"rendered":"
\"Rare

Rare Waves’ Lite2Sound PX, by Eric Archer: A photonic microphone!<\/p><\/div>\n

I’ve previously written<\/a> about the heavily-built, wickedly cool\u00c2\u00a0Grendel Drone Commander<\/a> synth from Eric Archer<\/a>.\u00c2\u00a0I check his site, Rare Waves<\/a>, from time to time for new handmade electronic toys, and I was\u00c2\u00a0really<\/em> intrigued by his newer\u00c2\u00a0Lite2Sound PX unit<\/a>.\u00c2\u00a0This small device, in Eric’s words, “extracts audio from ambient light.” It’s a photodiode amplifier. Or a photosensitive microphone. Point it at light, it makes sound. It runs off a 9-volt battery, has a volume control, and a headphone jack. Simple, exciting, and a whole new world of sonic insanity.\u00c2\u00a0You can buy them as kits or, as I did, fully assembled.<\/p>\n

Sounds pretty straightforward. If you just point it at bright, broad light sources, it’s kind of disappointing. It’s when you start listening to artificial lights in otherwise dim environments that some serious magic starts to happen. My experiments were conducted in and around high tech computer equipment, running an 1\/8″ mini jack from the headphone output into my Sony PCM -D50 recorder<\/a>.<\/p>\n

Lights inside of PCs, modulated by fans…and further modulated by speaker grills as I passed the Lite2Sound from side to side. Ethernet network activity lights. Server disk access indicator lights. A close up of the power button of an XBox 360 while booting up. Pulsing lights of devices in standby mode. Halogen lamps behind spinning desk fans.<\/p>\n

\"Lightly

Lightly armored for future fieldwork!<\/p><\/div>\n

The resulting sounds were astounding in their range: Static, glitches, distorted synth pads, pure sinewave tones, sawtooth-like tones, and much more. You can’t control it, really. It’s a tool of discovery, and its very nature encourages constant experimentation. It was so small and so perfectly complemented a handheld field recorder, I just wanted to take it everywhere and point it at everything! It imparted the same joy as when you start recording with contact microphones, or hydrophones: A new way to listen to the world around you.\u00c2\u00a0The more I used the Lite2Sound, I put it in a small plastic container (hacked with an XActo knife for access to controls and the headphone jack) in order to keep the components better protected.<\/p>\n

Lite2Sound is a pretty narrowly-focused device and how useful it is to you depends on your taste for the unpredictable. Me, I adore this thing. Hell, I bought two (for future stereo photo-phonic insanity). It encourages constant experimentation, weighs nothing, and I can see using its output in both sound design and musical contexts. Eric Archer nails it again with an odd concept and a rock-solid, focused execution that results in a toy that just begs to be played with.<\/p>\n

[soundcloud url=”https:\/\/api.soundcloud.com\/tracks\/139812053″ params=”color=ff5500&auto_play=false&hide_related=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” \/]<\/p>\n","protected":false},"excerpt":{"rendered":"

I’ve previously written about the heavily-built, wickedly cool\u00c2\u00a0Grendel Drone Commander synth from Eric Archer.\u00c2\u00a0I check his site, Rare Waves, from time to time for new handmade electronic toys, and I was\u00c2\u00a0really intrigued by his newer\u00c2\u00a0Lite2Sound PX unit.\u00c2\u00a0This small device, in Eric’s words, “extracts audio from ambient light.” It’s a photodiode amplifier. Or a photosensitive microphone. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,7,4],"tags":[13,9,10,321,18],"_links":{"self":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts\/2673"}],"collection":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/comments?post=2673"}],"version-history":[{"count":10,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts\/2673\/revisions"}],"predecessor-version":[{"id":2737,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts\/2673\/revisions\/2737"}],"wp:attachment":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/media?parent=2673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/categories?post=2673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/tags?post=2673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}