{"id":2880,"date":"2014-09-25T12:23:49","date_gmt":"2014-09-25T19:23:49","guid":{"rendered":"https:\/\/noisejockey.net\/blog\/?p=2880"},"modified":"2014-10-05T16:54:03","modified_gmt":"2014-10-05T23:54:03","slug":"prepared-guitar","status":"publish","type":"post","link":"https:\/\/noisejockey.net\/blog\/2014\/09\/25\/prepared-guitar\/","title":{"rendered":"Prepared Guitar"},"content":{"rendered":"
\"Les

Les Paul clone, eBow, and chopsticks on a foggy Saturday morning.<\/p><\/div>\n

This spring I rediscovered the guitar, first as a compositional tool \u00e2\u20ac\u201c my music’s texture is so different when I start with the guitar and not keyboards \u00e2\u20ac\u201c and soon thereafter as a tool for sound design. I started getting back into prepared guitar and extended playing techniques, and rekindled my love for vibrating steel.<\/p>\n

In fact, the more I did it, the fewer processors and effects I used. It was weird enough already. And I like weird. It led me on a whole summer-long journey into music, as opposed to field recording or sound design, often on the cinematic tip. This fall I may share some more results of this summer’s studio musicfest.<\/p>\n

\"preparedGtr2\"

Steel is real.<\/p><\/div>\n

Today’s sound is more drone than music, though. It’s from a live improvisation session featuring my old Epiphone Les Paul clone, an eBow, and two chopsticks stuck in the strings at the 12th fret.I also took some small alligator clips, clipped them to some strings, and flicked them against nearby strings for some filigree panned to the left and right. <\/span><\/p>\n

No effects were used (distortion is just from the preamp) except some cutting with a low shelf EQ and a slight, broad EQ lift around 2KHz; no compression, either.\u00c2\u00a0<\/span>The whole session has been only <\/span>slightly edited in post.<\/span><\/p>\n

Headphones and a dim room recommended.<\/p>\n

[soundcloud url=”https:\/\/api.soundcloud.com\/tracks\/168600067″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” \/]<\/p>\n","protected":false},"excerpt":{"rendered":"

This spring I rediscovered the guitar, first as a compositional tool \u00e2\u20ac\u201c my music’s texture is so different when I start with the guitar and not keyboards \u00e2\u20ac\u201c and soon thereafter as a tool for sound design. I started getting back into prepared guitar and extended playing techniques, and rekindled my love for vibrating steel. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6,4],"tags":[147,197,304],"_links":{"self":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts\/2880"}],"collection":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/comments?post=2880"}],"version-history":[{"count":11,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts\/2880\/revisions"}],"predecessor-version":[{"id":2897,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts\/2880\/revisions\/2897"}],"wp:attachment":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/media?parent=2880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/categories?post=2880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/tags?post=2880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}