{"id":2986,"date":"2014-12-20T09:52:10","date_gmt":"2014-12-20T16:52:10","guid":{"rendered":"https:\/\/noisejockey.net\/blog\/?p=2986"},"modified":"2015-01-07T15:11:41","modified_gmt":"2015-01-07T22:11:41","slug":"more-antler-shenanigans","status":"publish","type":"post","link":"https:\/\/noisejockey.net\/blog\/2014\/12\/20\/more-antler-shenanigans\/","title":{"rendered":"More Antler Shenanigans"},"content":{"rendered":"<div id=\"attachment_2987\" style=\"width: 590px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-2987\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-2987\" alt=\"antlersII\" src=\"https:\/\/noisejockey.net\/blog\/wp-content\/uploads\/2014\/12\/antlersII.jpg\" width=\"580\" height=\"343\" srcset=\"https:\/\/noisejockey.net\/blog\/wp-content\/uploads\/2014\/12\/antlersII.jpg 580w, https:\/\/noisejockey.net\/blog\/wp-content\/uploads\/2014\/12\/antlersII-290x171.jpg 290w\" sizes=\"(max-width: 580px) 100vw, 580px\" \/><p id=\"caption-attachment-2987\" class=\"wp-caption-text\">A lush nest of sonic discomfort.<\/p><\/div>\n<p>Following on <a href=\"https:\/\/noisejockey.net\/blog\/2014\/12\/15\/deer-antlers-as-instrument\/\" target=\"_blank\">my last post<\/a>, I&#8217;ve continued to play around with my recordings of deer antlers through a <a href=\"http:\/\/barcusberry.com\/product.cfm?ProductID=9\">contact microphone<\/a>. Today&#8217;s sound is almost entirely from that session, with only a handful of synthesized sounds, all triggered by LFOs and other random modulations. The manipulations of the deer antler sounds were done in the very weird, pretty unstable, and utterly unique <a href=\"http:\/\/www.giorgiosancristoforo.net\/softwares\/gleetchlab-3\/\" target=\"_blank\">Gleetchlab<\/a> application, as well as <a href=\"https:\/\/www.izotope.com\/en\/products\/effects-instruments\/iris\/\" target=\"_blank\">iZotope Iris<\/a>, which did an amazing job of figuring out the root frequency of the flute-like and cello-like bowed resonances.<\/p>\n<p>[soundcloud url=&#8221;https:\/\/api.soundcloud.com\/tracks\/182406370&#8243; params=&#8221;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&#8221; width=&#8221;100%&#8221; height=&#8221;166&#8243; iframe=&#8221;true&#8221; \/]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Following on my last post, I&#8217;ve continued to play around with my recordings of deer antlers through a contact microphone. Today&#8217;s sound is almost entirely from that session, with only a handful of synthesized sounds, all triggered by LFOs and other random modulations. The manipulations of the deer antler sounds were done in the very [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[63,6,4],"tags":[62,322,304,321],"_links":{"self":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts\/2986"}],"collection":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/comments?post=2986"}],"version-history":[{"count":3,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts\/2986\/revisions"}],"predecessor-version":[{"id":2990,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/posts\/2986\/revisions\/2990"}],"wp:attachment":[{"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/media?parent=2986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/categories?post=2986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/noisejockey.net\/blog\/wp-json\/wp\/v2\/tags?post=2986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}