{"id":474,"date":"2023-07-05T23:01:00","date_gmt":"2023-07-05T23:01:00","guid":{"rendered":"https:\/\/noisejockey.net\/main\/?post_type=portfolio_item&p=474"},"modified":"2024-02-23T05:17:57","modified_gmt":"2024-02-23T05:17:57","slug":"ultrasquish","status":"publish","type":"portfolio_item","link":"https:\/\/noisejockey.net\/main\/project\/ultrasquish\/","title":{"rendered":"Ultrasquish"},"content":{"rendered":"\n

Sound effects library. Available via A Sound Effect<\/a> (top five best-seller for 2023).<\/p>\n\n\n\n

Ultrasquish is an ultrasonic-rich library of squishes and squeezes, optimized for radical pitch shifting. It contains around 40 minutes of 192-kHz, UCS-compliant, icky goodness. Each file contains long takes with many variations, ideal for interactive content. From silly squishes to horrific scenes, Ultrasquish simply oozes usefulness.<\/p>\n\n\n\n

The performances of squished and squeezed water, gel, goo, and air begin as sharp, crisp, and immediately useful assets for representing cartoony action, sticky props, mud, blood, viscera, critical hits, or finishing moves. But once pitched down, they reveal creature growls, monstrous heartbeats, gurgling zombie breaths, gloopy footstep sweeteners, colossal digestive tracts, slimy monster movements, and bubbling alien slimescapes. A set of designed sounds are included to showcase the potential uses of the library, and for immediate use in quick-turnaround projects.<\/p>\n\n\n\n

All sounds were recorded in extreme close-up with both a hypercardioid microphone and an ultrasonic-capable omni microphone, blended together for a punchy, full-range tone while preserving ultrasonic detail (reaching as high as 70 to 100 kHz, depending on the prop or material being recorded).<\/p>\n\n\n\n